The by Suicide in , Fisher Made Explicit His Differences With Respect to the Negative Forms of Melancholy – Both That Point Out by Brown and the “Postcolonial Melancholy” Postulat by Paul Gilroy -, While Advocating by a Marxist Materialist Analysis of the Depression That Plagu Him Personally. In a Suggestive Tour of Pop Culture, Audiovisual Productions and the Music Industry, Fisher Summon the Specters That Hover in Favor of Political Action and That, in Remembering Him, Do Not Linger in the Inoperative Nostalgia of Those Who Cultivate Them. With Their Differences, Both Authors Respond to Brown’s Criticism With an Eloquent.
Argumentative Twist That in the
Form of a New “Left Melancholy” and a Creative “Hauntology”, Seeks a Better Relationship With the Past, the Revitalization of the Struggles Presents and an Inspiring Projection. They Also Agree in Considering the Advances in Brazil Mobile Database Gender Rights to Be “Significant”, While at the Same Time Pointing Out the Capture of These Struggles by the Insatiable Neoliberal Order. A Third Element That Unites Them is Their Elusive Response to Brown’s Point About What is Includ Under the Notion of “Identity Politics”, a Set of Experiences and Achievements That Has Not Stopp Gaining Presence and Multiplying the Problems That the Author Point Out.
That is to Say This New and
Promising Leftist (Marxist) Melancholy the Opportunity to Confront What Remains Unresolv – an Effective Theoretical Articulation Between Class and Gender –, While at the Same Time It Does Not Collaborate in Supporting What Italy Phone Number It Calls for. : a Feminism of Social Change That Counteracts the Undeniable Appropriations of Neoliberal Capitalism. This Particularity of This Type of Positions May Have as One of Its Causes the Fact That Feminist Libraries Do Not Usually Form Part of the Systematic Readings of a Large Part of the Left-wing Intellectual Field and, in General, Their Authors Do Not Go Through Assembly Experiences. And Street Demonstrations.
